I’m pleased to say that over the summer I had the wonderful opportunity to interview esteemed literary critic J. Hillis Miller, and that the interview will be published soon in boundary 2.
Christine Jun for Dazed Digital has posted an A-Z list of some incredible contemporary art that engages with technologies of surveillance in “The dA-Zed Guide to Surveillance: Drones in the Sky, Whistleblowers in Jail: How Art is Responding to Big Brother’s Watch.” Of especial note is Robin Hewlett and Ben Kinsley‘s Street with a View, which was done a number of years ago while both were pursuing Master’s of Fine Arts degrees at Carnegie Mellon University, just down the street from me. I have met Ben a few times and had the opportunity to talk with him about this project while he was working on it. A pic (and a link to the Street with a View at Google maps):
I especially appreciate Hewlett and Kinsely’s hyperarchivally realist work here for integrating the archival processes of contemporaneity, the all-surveilling eye of Google and their maps, the social and local residents of the area, and what in the end is pretty high-concept performance art. Simply wonderful. (And that they somehow got Google to come out and take part, all the better. I also probably should have posted something about Street with a View years ago, but I’m glad being pointed toward Dazed Digital‘s A-Z list reminded me of how excellent this happening was.)
In “Fukushima: Vast Amounts of Radioactive Water Creeping Towards Sea,” Mari Yamaguchi has reported for Talking Points Memo that “deep beneath Fukushima’s crippled nuclear power station a massive underground reservoir of contaminated water that began spilling from the plant’s reactors after the 2011 earthquake and tsunami has been creeping slowly toward the sea. Now, 2 1/2 years later, experts fear it is about to reach the Pacific and greatly worsen what is fast becoming a new crisis at Fukushima: the inability to contain vast quantities of radioactive water.”
So, I guess Google has created some sort of mega-meta-archive, the “Google Cultural Institute,” an archive of stuff that is in museums (i.e. archives), and when I go to the front page, the two featured archives are the “Hiroshima Peace Museum” and the “Nagasaki Atomic Bomb Museum.” Sometimes this is just too easy. Nukes and archives. Bombs and museums. Hyperarchival realism.
Economist and former dean at Princeton Christina Paxson has written an interesting article for the New Republic, “The Economic Case for Saving the Humanities.” Therein she asks if the humanities are “worth it” economically and argues that
support for the humanities is more than worth it. It is essential. . . . It is really important we get this right. A mountain of empirical evidence indicates a growing inequality in our society. There is no better way to check this trend than to invest in education. And there is no better way to invest in education than to invest fairly, giving attention to all disciplines and short shrift to none.
Even though many of us may take Paxson’s argument wholly for granted already–that those of us who think about the issue a bit realize that of course the humanities have significant bearing on economics–the threats to the humanities largely boil down to their perceived lack of economic viability. If this perception can be combated, we may see other criticisms fall away.
Today’s sentencing of Bradley Manning to 35 years in prison has provoked considerable outrage. Birgitta Jónsdóttir addresses this nicely in her piece for The Guardian, “Bradley Manning’s Sentence: 35 Years for Exposing the Truth.”
And Rob Goodman has a very compelling piece on “dystopian narcissism” for The Chronicle of Higher Education titled, “The Comforts of the Apocalypse.” Dystopian narcissism is the selfish belief that your time, your civilization, your world is somehow unique in its proximity to the end times, to the disaster, to the apocalypse. As Goodman writes: “We’re virtually guaranteed to witness the end of nothing except our lives, and the present, far from fulfilling anything, is mainly distinguished by being the one piece of time with us in it.” I’ve been saying this for years. (Though perhaps the Doomsday Argument would disagree, as perhaps would Nick Bostrom [here and here and here and here] .)
Here are .pdfs of syllabi for classes I will be teaching this fall at the University of Pittsburgh:
And my Narrative and Technology students will be keeping a class blog. Check it out here.