2015.02 in Small Po(r)tions

October 1, 2015

A sonnet from an ongoing sequence just appeared in issue 5 of Small Po(r)tions magazine. Check out “2015.02.” More poems from this project are on their way in a couple weeks.

September 2015 Links

October 1, 2015

These links are coming a day late, but as anticipated, it has been a very busy semester.


Nuclear and Environmental

Lizzie Wade, “Earth in 10,000 Years.”

John Metcalfe, “Imagining the Most Catastrophic Climate Future Ever.”

Steven Vogel, “Environmental Ethics in a Postnatural World.”

Chris Mooney, “Why Some Scientists Are Worried About a Surprisingly Cold ‘Blob’ in the North Atlantic Ocean.”

Laurence Topham , Alok Jha and Will Franklin, “Building the Bomb.”

Ross Andersen, “Watching Nuclear War From Across the Galaxy.”

And a letter from Governor Jerry Brown.


US and National Security State

The WikiLeaks Files: The World According to US Empire.

Sy Hersh, “Evil but Stupid.”



Adrienne LaFrance, “Water Is Flowing on Mars.”



Caitlin Dewey, “Everyone You Know Will Be Able to Rate You on the Terrifying ‘Yelp for People’–Whether You Want Them To or Not.” 

Rose Eveleth, “Introducing the Archive Corps.”

Alister Doyle, “Syrian War Spurs First Withdrawal from Doomsday Arctic Seed Vault.”

Kalev Leetaru, “History As Big Data: 500 Years Of Book Images And Mapping Millions Of Books.”

Colin Coopman, “The Algorithm and the Watchtower.”

Zachary Loeb, “The Social Construction of Acceleration,” review of Pressed for Time: The Acceleration of Life in Digital Capitalism, by Judy Wajcman.

Miya Tokumitsu, “The Politics of the Curation Craze.”

Nikhil Sonnad, “This Free Online encyclopedia Has Achieved What Wikipedia Can Only Dream of.” On The Stanford Encyclopedia of Philosophy.

Margarita Noriega, “The Map of Literature.”

Ben Quinn, “Isis Destruction of Palmyra’s Temple of Bel Revealed in Satellite Images.”

Mimi Zeiger, “Yayoi Kusama’s Infinitely Immersive Installation Opens with The Broad in Los Angeles.”

And an old one: Grant Brunner, “Programmer Creates 800,000 Books Algorithmically, Starts Selling Them on Amazon.”


Literature and Culture

Carolyn Kellogg, “Ta-Nehisi Coates and Other Authors Who Landed MacArthur ‘Genius’ Grants: What Made Them Stand Out.”

Ben Lerner, MacArthur Fellow.

N. Katherine Hayles, “Searching for Purpose,” review of Seveneves, by Neal Stephenson, and Aurora, by Kim Stanley Robinson.

Fredric Jameson, “In Hyperspace,” review of Time Travel: The Popular Philosophy of Narrative, by David Wittenberg.

Ian Bogost, “In the Habit,” review of Gamelife, by Michael W. Clune.

McKenzie Wark, “Blog-Post for Cyborgs” and “Benjamedia.”

Alexander R. Galloway, “Assessing the Legacy of That Thing That Happened After Poststructuralism” and “From Data to Information.”

Bruce Robbins, “Working on TV.”

Anjali Vaidya, “The Final Installment of the Ibis Trilogy,” review of Flood of Fire, by Amitav Ghosh.

Laila Lalami, review of Flood of Fire, by Amitav Ghosh.

Mark Goble, “Good Literary Criticism: On the Crisis of Man,” review of The Age of the Crisis of Man: Thought and Fiction in America 1933-1972, by Mark Greif.

John Higgs, “Was Marcel Duchamp’s Fountain Actually Created by a Long-forgotten Pioneering Feminist?”

Sarah Kaplan, “A White Guy Named Michael Couldn’t Get His Poem Published. Then He Became Yi-Fen Chou.”

Sherman Alexie Speaks Out on The Best American Poetry 2015.

Yi-Fen Chou, “The Bees, the Flowers, Jesus, Ancient Tigers, Poseidon, Adam and Eve.”

Brian Spears, “Yellowface in Poetry.”

Jenny Zhang, “They Pretend To Be Us While Pretending We Don’t Exist.

Aaron Bady, “Best American Poetry Pseudonyms.”

Teju Cole, “Migrants Welcome.”

Art Winslow, “The Fiction Atop the Fiction: Did Pynchon Publish a Novel Under the Pseudonym Adrian Jones Pearson?”

John Beck, “Beneath the Soviets the Beach,” review of Molecular Red, by McKenzie Wark.

Carolyn Kellogg, “Salman Rushdie’s New Novel Two Years Lets the Jinn Out of the Bottle.”

Radio Hour: Salman Rushdie, Jill Essbaum, and Jerry Stahl.

Janet Maslin, The Art of Memoir, by Mary Karr, Is a Veteran’s Guide.”

Amanda Fortini, “Interview: Mary Karr, The Art of Memoir, no. 1.”

Morten Høi Jensen, “Me, Myself, and Hitler,” review of My Struggle, Book Five, by Karl Ove Knausgaard.

Rhys Williams, “Wake Up and Smell the Weird,” review of Three Moments of an Explosion, by China Miéville.

Eleanor Goodman, “Letter from Shanghai.”

Andrew Broaks, “Do You Miss the Future? Mark Fisher Interviewed.

Nick Levey, “A Temporal Humanism: A Review of Joseph Frank’s Responses to Modernity.”

Nell Zink, “Early Thoughts on Purity by Jonathan Franzen.”

Urmila Seshagiri, “Biology, Destiny, Purity.”

David Haglund, Mr. Robot and the Angry Young Man.”

“Don DeLillo to Receive National Book Award for Lifetime Achievement.”

Don DeLillo, Zero K (forthcoming).

Jason Horsley, “The Invitation of the Mirror: Jonathan Lethem and Me, from the Margin to the Mainstream.”

David Orr, “The Most Misread Poem in America.”

Laura Miller, “David Foster Wallace and the Perils of ‘Litchat.'”

John Semley, The End of the Tour Flattens David Foster Wallace into the Grinding Machinery of Fame He so Often Detested.”

Phillip Maciak, “Original Programming: On Mr. Robot.”

De Witt Douglas Kilgore, “Envisioning Astroculture in the American Hemisphere,” review of Past Futures : Science Fiction, Space Travel, and Postwar Art of the Americas, by Sarah J. Montross.

Martin Woessner, “Fail Slow, Fail Hard,” review of Freedom to Fail: Heidegger’s Anarchy, by Peter Trawny.

George Gene Gustines, “Ta-Nehisi Coates to Write Black Panther Comic for Marvel.”

Dan Piepenbring, “The Solar Anus.”

Don Van Natta Jr. and Seth Wickersham, “Spygate to Deflategate: Inside What Split the NFL and Patriots Apart.”

Heidi Kemps, “Nintendo’s Forgotten Console.”

“Dismaland: Inside Banksy’s Dystopian Playground.”

Grace Ambrose, “Reissue of the Week: Conflict.”

Nicola Masciandaro, “Wings Flock to My Crypt, I Fly to My Throne: On Inquisition’s Esoteric Floating Tomb.”

Patrick Jagoda, Network Aesthetics (pre-order).

Andrea K. Scott, “Triple Threat” (on Triple Canopy).

Plinth, no. 4.

Emoji Dick.

Julia Yu, “Goodnight Dune.”

Andy McDonald, “And Now, A Fat Guy On A Toilet Talks To You About Fat Shaming.”

And Jared Smith, “Taylor Swift: A Socratic Dialogue.”


Humanities and Higher Education

Megan Garber, “The Rise of ‘Quit Lit.'”

Colleen Flaherty, “Public Good-byes.”

Oliver Lee, “I Have One of the Best Jobs in Academia. Here’s Why I’m Walking Away.”

Ian Bogost, “No One Cares that You Quit Your Job.”

“How America Reacted to ‘The Coddling of the American Mind.'”

Ryan Holiday, “The Real Reason We Need to Stop Trying to Protect Everyone’s Feelings.”

David L. Ulin, “Read before You Speak.”

Adrienne LaFrance, “Millennials Are Outreading Older Generations.”

Henry Veggian, “Adjunct Professors and the Myth of Prestige.”

Simon During, “Stop Hyping Academic Freedom.”

And the 2015-2016 academic year is “The Year of the Humanities” at the University of Pittsburgh.

Panel Abstract: Utopian Geologies

September 6, 2015

I just got word that a panel I organized was accepted for the 2015 Society for Utopian Studies Conference in Pittsburgh, Pennsylvania, taking place November 5-8. I have included the general abstract for the panel, and the abstracts for each individual paper.

The panel will take place on Saturday, 7 November 2015, 8:30 -10:45 am.

Utopian Geologies

Panelists: Racheal Forlow, Dan Malinowski, and Bradley J. Fest

In the twenty-first century, the Anthropocene has emerged as an important concept for understanding the impact of human life on the planet. As activists, journalists, and scholars attempt to respond to the challenges this new epoch presents, many invoke deep time as a significant mode of thinking. This panel will take up the question of how the utopian imagination, long a site for speculating about the future, might contend with such geologic timescales. Responding to the conference topic of “global flows” by discussing things that flow at very, very slow paces, each paper will consider an important literary encounter with utopian geology. From Walt Whitman’s emergent poesis, to Kim Stanley Robinson’s posthuman environmental ethics, to the emphasis on human finitude in recent speculative thinking, these papers all signal a desperate need to reinvest in the imagination in the face of observable climate change.


Walt Whitman’s Geologic Imagination and the Future

Racheal Forlow, University of Pittsburgh

Western utopian traditions imagine how human activities might create better futures. Today, those who pursue projects of this kind confront a singular set of challenges. Scientists argue climate change and a range of other environmental emergencies threaten the future of the species. Because most agree the activities a tradition of Enlightenment thinking privileges produced these threats, the present seems to demand we conceive anew the ways we hope to project and build better worlds. Some artists, intellectuals, and activists committed to this work therefore suggest we abandon anthropocentric views of the universe and autonomous views of human individuals for more broadly materialist accounts. In this paper, I argue a tradition of American poetry Walt Whitman originates offers projects of this kind historical and conceptual resources. Whitman treats the human faculties contemporary projects require—among these imagination, reason, and feeling—in thoroughly material terms. In “Song of Myself” (1855), he imagines human creative power is an evolutionary force that emerges out of deep, geologic history. So conceived, the human is not a powerful, autonomous agent that dominates what is not identical to it. Instead, the species participates in a broader set of transformative processes. I believe recognizing US traditions offer this alternative vision of the human might serve attempts to project and build futures in the novel ways contemporary crises compel.


Should We Eat the Dirt? Kim Stanley Robinson’s Mars Trilogy, Geology, and New Materialism

Dan Malinowski, Rutgers University

No matter where humanity goes, it will shape and be shaped by its environment. In this talk, I will explore the ways in which Kim Stanley Robinson’s Mars Trilogy (1994-96), through the long time-spans in which it occurs, allows us to follow the flow of human society on literally untouched land, providing a useful thought experiment for exploring the ethics of the relationship of humanity to geological features. I will examine the debates surrounding terraforming enacted within these novels, highlighting their central aporia: namely, how a utopian society can (or cannot) coexist with a posthuman ethics towards the natural landscape. I will show how the recent work in the New Materialism can articulate this problem more productively than the Heideggerian model of geological ethics proposed by Fredric Jameson in his essay on the trilogy. In doing so, this paper will articulate a view of the world in which the interactions of the “dead” world and its new inhabitants flow back and forth in an ongoing and multi-directional process, a consideration inseparable from any utopian possibility whether here on Earth or there on Mars.

Speculative Criticism, Black Metal Theory, and Utopia

Bradley J. Fest, University of Pittsburgh

In recent years, invoking Fredric Jameson’s famous quip about it being easier to imagine the end of the world than the end of capitalism has become something of a cliché. Given the realities of observable climate change and the seeming inability for human institutions to make the broad, sweeping changes necessary for responding to life in the Anthropocene, one might find it difficult to disagree with claims about the foreclosure of the utopian imagination. So it is perhaps surprising that a variety of thinkers, emerging from the school of Speculative Realism (or New Materialism), have been emphasizing species finitude, particularly with regard to deep, geologic timescales. Rather than explore possible utopian futures, writers like Ray Brassier, Nicola Masciandaro, Reza Negarestani, Eugene Thacker, McKenzie Wark, Evan Calder Williams, and others, often writing under the heading of “Black Metal Theory,” frequently invoke the utter inevitability of human extinction. As part of a larger project of articulating what I am calling “speculative criticism,” this paper will explore what such dark geologies might offer for both the study of literary works massively extended in space and time and the pressing need to reconceive and reinvest in the utopian imagination in the twenty-first century.

Beginning of the Semester Links

August 27, 2015

Now that the semester is starting, I will have less time to read things on the internet. So here’s one last link dump for the summer.


Nuclear and Environment

Maria Temming, “Geoengineering Won’t Save Us: Why It Can’t Halt the Effects of Climage Change by Itself.”

Claire L. Evans, “Climate Change Is so Dire We Need a New Kind of Science Fiction to Change It.”

Alan Taylor, “A World without People.”

Bill McKibben, “The Pope and the Planet.”

Mark Soderstrom, “Unequal Universes.”

And Kenneth Chang, “World Will not End Next Month, NASA Says.”

Brandon Shimoda, ed., The Volta, no. 56, and April Naoko Heck, “Dispatch from Hiroshima.”

Sam Stein, “July Was The Hottest Month Ever; Cable News Barely Noticed.”


National Security State

Julia Angwin, Charlie Savage, Jeff Larson, Henrik Moltke, Laura Poitras, and James Risen, “AT&T Helped U.S. Spy on Internet on a Vast Scale.”

Adam Clark Estes, “The Ashley Madison Hackers Just Released a Ton of Stolen Data.”

Cory Doctorow, “Ashley Madison Commits Copyfraud in Desperate Bid to Suppress News of Its Titanic Leak.”

Robinson Meyer, “There Are No Rules in Love and Taxes.”

Alex Sobel Fitts, “Ashley Madison Is The Latest Proof That The Internet Does Not Keep Secrets.”

Patrick Iber, “Literary Magazines for Socialists Funded by the CIA, Ranked.”

Richard Norton-Taylor, “MI5 Spied on Doris Lessing for 20 years, Declassified Documents Reveal.”

Esther Allen, “Cuba: We Never Left.”

Peter Maas, “The Philosopher of Surveillance: What Happens When a Failed Writer Becomes a Loyal Spy?”

Rob Horning, “Do the Robot.”

Zach Musgrave and Bryan W. Roberts, “Humans, Not Robots, Are the Real Reason Artificial Intelligence Is Scary.”


US Politics (which are fascinating me right now)

Matt Taibbi, “Inside the GOP Clown Car” and “Donald Trump Just Stopped Being Funny.”

Ben Domenech, “Are Republicans For Freedom Or White Identity Politics?”

Molly Ball, “Can the Republican Party Survive Trump?”

Ann Applebaum, “Donald Trump, Voice of the Bottom-Feeders.”

Marina Flang, “Donald Trump Has No Idea How to Fix Immigration, so He’ll Hire ‘Great People’ Who Know How.”

Christoffer O. Hernæs, “Artificial Intelligence, Legal Responsibility And Civil Rights.”

“OKComrade: The Radical Left’s Amazing Answer to OKCupid.”

And Trump Speculative Fiction: Jon Lovett, “Looking Backward on the Presidency of Donald Trump.”



Jodi Kantor and David Streitfeld, “Inside Amazon: Wrestling Big Ideas in a Bruising Workplace.”

Christopher Jacobson, “Welcome to Dismaland: A First Look at Banksy’s New Art Exhibition Housed Inside a Dystopian Theme Park.”

Lisa Larson-Walker and Laura Bradley, “Banksy Designed a Dystopian Theme Park Called Dismaland. It’s Terrifying.”

Banksy's Dismaland

Patrick Hogan, “We Took a Tour of the Abandoned College Campuses of Second Life.”

Doug Armato, Noctambulate Books.

Shaun Walker, “Russia Bans Wikipedia Over Page Relating to Drug Use.”

“Leo Tolstoy Creates a List of the 50+ Books That Influenced Him Most (1891).”

Kathleen Caulderwood, “The Archaeologist Who Studies World of Warcraft.”

Simon Parkin, “In Search of the Keys to the Virtual City.”

And Franck Bohbot, “House Of Books: The Most Majestically Beautiful Libraries Around The World Photographed.”


Literature and Culture

Claudia Rankine, “The Meaning of Serena Williams.”

Corey Robin, “No More Fire, the Water Next Time: Ta-Nehisi Coates on Global Warming and White Supremacy.”

Emma Brockes, “Jonathan Franzen Interview: ‘There Is No Way t0 Make Myself Not Male.”

Anna Silman, “Jennifer Weiner Slams Jonathan Franzen’s ‘Female Trouble’ in Epic Twitter Rebuttal to his Guardian Interview.”

Laura Bennett, “Of Course Jonathan Franzen Wanted to Adopt an Iraqi Orphan to Better Understand Millennials.”

David L. Ulin, “Why Read Jonathan Franzen’s Controversial New Purity? The Fierce Writing.”

Eugene Thacker, “Horror of Philosophy.”

Bret Easton Ellis on The End of the Tour.

Gerald Howard, “I Know Why Bret Easton Ellis Hates David Foster Wallace.”

Fred Moten, “Whatnot to the Music.”

Christopher K. Coffman, “Manifold Destiny,” review of The Dying Grass, by William T. Vollmann.

Ben Parker, “The Past Is Useless.”

“Margaret Atwood’s Colum Criticizing Stephn Harper Vanishes, then Returns to National Post Website.”

Wanda Coleman, “Ruminations on Riots.”

Mike Miley, “When the Levees Broke.”

James Dahl, “My Wallace, Your Wallace.”

Molly Fischer, “Why Literary Chauvinists Love David Foster Wallace.”

Christian Lorentzen, “The Rewriting of David Foster Wallace.”

Scott Timberg, “David Foster Wallace Was Not a Bro.”

Rebecca Mead, “How The End of the Tour Nails an Entire Profession.”

Dan Piepenbring, “Design a Cover for the Twentieth Anniversary Edition of Infinite Jest.”

Jacqui Shine, “Culture War? What Is It Good For?” review of A War for the Soul of America : A History of the Culture Wars, by  Andrew Hartman.

Mark Bould, “If Colonialism Was The Apocalypse, What Comes Next?” review of Terra Incognita: New Short Speculative Stories from Africa, by Nerine Dora, and A Killing in the Sun, by Dilman Dila.

Juan Vidal, “The Blazing World Of Clarice Lispector, In Complete Stories.”

Adam Kirsch, “Joshua Cohen Is the Great American Novelist.”

“Joshua Marie Wilkinson on The Courier’s Archive & Hymnal.”

Laura Kochman, review of The Volta Book of Poets, edited by Joshua Marie Wilkinson.

Andrew Gallix, “The Writer Postponed: Barthes at the BnF.”

Douglas Lain, “Descartes’s Horror.”

Erik Rangno, “The Paradox of Time Capsules.”

Adam Begley, “Don DeLillo, The Art of Fiction No. 135.”

Michael Wood, “Paul Auster, The Art of Fiction No. 178.”

Elizabeth Spires, “Elizabeth Bishop, The Art of Poetry no. 27.”

Joshua David Stein, “Hell is Other Producers: The Painful Reality of UnREAL.”

Ruth Margalit, “Writing About Not Writing.”

Annalisa Merelli, “Two Kinds of People.”

Anna Zett, “The Paradox of Progress.”

Tracy K. Smith selects the fifty best new poets of 2015.

Carolyn Kellogg, “Criticism of Diversity Issues at AWP Inflamed by Kate Gale Piece,” “John Scalzi Conquers the Publishing Universe” and “The Best Part of the New Joan Didion Bio The Last Love Song? Joan Didion.”

Jason W. Stevens, ed., This Life, This World: New Essays on Marilynne Robinson’s “Housekeeping,” “Gilead,” and “Home.

And Bruce Hardt, “King of the Monsters 20th Anniversary Fest – Day Two.”

King of the Monsters Fest II


Humanities and Higher Education

William Deresiewicz, “The Neoliberal Arts.”

Barry Schwartz, “What Higher Education Should Be For.”

Greg Lukianoff and Jonathan Haidt, “The Coddling of the American Mind.”

Laura Moser, “A Court Ordered Washington State to Fix the Unfair Way It Pays Teachers—by Fining It $100,000 a Day.”

Claire Ballentine, “Freshman Skipping Fun Home for Moral Reasons.”

Aaron Bady, “Against Students Stories.”

Fredrick deBoer, “The Campus Politics Conversation Seems Pretty Much Broken.”

Douglas Belkin and Melissa Korn, “Colleges’ Use of Adjuncts Comes Under Pressure.”

Jeffrey R. Young, “As Coursera Evolves, Colleges Stay On and Investors Buy In.”

Barbara Fister, “My Take on the Amazon Workplace Exposé.”

Vimal Patel, “At the University of Missouri, Grad Students Rally for Better Conditions, and Faculty Come to Their Aid.”

And Lisa Nikolidakis, “First Faculty Meeting of the Year Bingo.”

Fall Semester 2015

August 27, 2015

I’m eager to begin a new semester at the University of Pittsburgh. This fall I am teaching a number of classes: Narrative and Technology (ENGLIT 0399), Introduction to Critical Reading (ENGLIT 0500), and Postmodern Literature (ENGLIT 1350). I have taught all three courses before and enjoy each one. The syllabus for Introduction to Critical Reading can be found on my Academia.edu page and I’d be happy to send along the others to interested parties, which tweak previous versions. I have decided not to do any blogs for any of my classes this semester, partially as an experiment, but also because I am trying to limit how much time I spend in front of a screen. For the blogs of previous classes, see the category “Teaching” to the right.

The Seventieth Anniversary of the Bombings of Hiroshima and Nagasaki, and Other Links

August 13, 2015

Nuclear and Environmental

Thomas Powers, “Was It Right?”

Jonah Walters, “A Guide to the Hiroshima and Nagasaki Attacks.”

Colin Wilson, “The Slaughter of Hiroshima.”

The New York Times, “Anniversary of Hiroshima and Nagasaki Revives Debate Over the Atomic Bomb.”

Christian Appy, “The Indefensible Hiroshima Revisionism that Haunts America to This Day.”

Rebecca J. Rosen, “Rare Photo of the Mushroom Cloud Over Hiroshima Discovered in a Former Japanese Elementary School.”

Paul Ham, “The Bureaucrats Who Singled Out Hiroshima for Destruction.”

Alex Wellesrstein, “Nagasaki: The Last Bomb.”

Ward Wilson, “The Bomb Didn’t Beat Japan. . . Stalin Did.”

Jonathan Soble, “Hiroshima Atomic Bomb Survivors Pass Their Stories to a New Generation.”

“Nuclear ‘Command And Control’: A History Of False Alarms And Near Catastrophes,” an interview with Eric Schlosser.

Per Espen Stoknes, “The Great Grief: How To Cope with Losing Our World.”

Adrienne LaFrance, “Is Anywhere on Earth Safe from Climate Change?”

Eric Holthaus, “The Point of No Return: Climate Change Nightmares Are Already Here.”

Joanna Demers, Drone and Apocalypse: An Exhibit Catalog for the End of the World.


Politics and International

Robin Wright, “Obama on War and Peace.”

Elizabeth Warren:

And Andy Borowitz, “Nation Worried That the Rest of the World Might See Debate.”



Patrick Jagoda, “Network Ambivalence.”

David Golumbia, “The Amazonization of Everything.”


Jenny Zhang, “New Mirrored Infinity Room Immerses Viewers in Mesmerizing World of Endless Reflections.”

“Feasts Under the Bridge.”

Mark Freuenfelder, “British Library Releases Over a Million Public Domain Images.”

World’s Largest Natural Sound Archive Now Fully Digital and Fully Online.

Jeff Garzick, “StorJ and Bitcoin Autonomous Agents.”

Mark Sullivan, “Facebook Patents Technology to Help Lenders Discriminate Against Borrowers Based on Social Connections.”

All ten of August Wilson’s Plays until 26 August 2015.


Literature and Culture

Ian Bogost, “Don’t Hate the Phone Call, Hate the Phone.”

Clarice Lispector, “Love (‘Amor’)” (trans. Katrina Dodson).

Adam Fitzgerald, “An Interview with Fred Moten, Part 1.”

Anna Kornbluh, “Road to Nowhere,” review Cartographies of the Absolute, by Alberto Toscano and Jeff Kinkle.

Richard Lea, “Science Fiction: The Realism of the 21st Century.”

Peter Bebergal, “Samuel Delany and the Past and Future of Science Fiction.”

Lucas Thompson, “David Foster Wallace and ‘Blurbspeak.'”

Scott Meslow, “When Does a Tribute Become a Betrayal? Grappling with the David Foster Wallace Movie The End of the Tour.”

Chauncey DeVega, “America Is a Neoliberal Horror Movie: Why They Live Is the Perfect Film for our Depraved Times.”

Sam Tanenhaus, “Sex, Lies, and the Internet: Jonathan Franzen’s Reckoning with His Literary Inheritance.”

Elliot Murphy, “Always a Lighthouse: Video Games and Radical Politics.”

McKenzie Wark, “The Nothingness that Speaks French.”

Salvage, no. 1 .

Francis Thackeray, “Was William Shakespeare High When He Penned His Plays?”

Jonathan Alexander, “The Literacy Games: Summer Lessons About Media from YA Fiction.”

Helaine Olen, “Jon Stewart’s Book Club.”

John Koblin, “Jon Stewart, Sarcastic Critic of Politics and Media, Is Signing Off.”

Ennuigi: Nintendo for Pretentious Existentialists.

My students are interning with the National Book Foundation and doing interesting interviews:

Interview With Kwame Dawes, Founding Director Of The African Poetry Book Fund, 2015.

“Interview With Mark Hecker, Founder Of Reach Incorporated, Winner Of Innovations In Reading Prize, 2015.”

“Interview With Logan Smalley, Co-Founder Of Call Me Ishmael, 2015.”

Butterbirds, “Ragged Bag.”

And Jeremy Dyer has a great picture of Groundwork at King of the Monsters Fest 2015:

Groundwork, 2015.

Groundwork practicing, 2015.


Humanities and Higher Education

Samuel Hazo, “Universities That Rely on Adjunct Professors Pursue Profit Over Academic Integrity.”

Daniel Ellington, “Management, “Leadership,” and Academic Work.”

Caitlin Flanagan, “That’s Not Funny!”

Keith M. Parsons, “Message to My Freshman Students.”



Robert Yune, “22 Indisputable Reasons Pittsburgh Is The Perfect City For Writers.”

Mifits: Time-Based Media and the Museum, Symposium, Carnegie Mellon Museum, Pittsburgh, PA 22-24 October 2015.


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