I have just published a review of Ian Bogost’s How to Talk about Videogames (2015),“The Function of Videogame Criticism,” in The b2 Review. The review signals a slightly new direction in my work–toward game studies–and will be the first of three pieces of videogame criticism that will appear in 2016. I have been teaching games for the past few years, so I am excited to be writing about them now.
“2015.01,” a poem from my ongoing sonnet sequence, was just published in TXTOBJX. The journal, edited by Andrew Kiraly, publishes what it calls “text objects,” which are “pieces of automatic fictoidal writing produced in one or two sessions.” A text object will be up on the site for a few days and then “the text object sinks into the shuffle and is accessible only randomly via the ‘nxtobjx’ link.” You can read more about the journal here.
Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s CyclonopediaJuly 15, 2016
I am pleased to report that my essay, “Geologies of Finitude: The Deep Time of Twenty-First-Century Catastrophe in Don DeLillo’s Point Omega and Reza Negarestani’s Cyclonopedia,” was just published in the most recent issue of Critique: Studies in Contemporary Fiction. This essay has been in the works for some time, and I am happy to see it emerge into the light of day. (It is also behind a paywall, but I’d be happy to send it along to anyone who is interested.)
An abstract: The twenty-first century has seen a transformation of twentieth-century narrative and historical discourse. On the one hand, the cold war national fantasy of mutually assured destruction has multiplied, producing a diverse array of apocalyptic visions. On the other, there has been an increasing sobriety about human finitude, especially considered in the light of emerging discussions about deep time. This essay argues that Don DeLillo’s Point Omega (2010) and Reza Negarestani’s Cyclonopedia: Complicity with Anonymous Materials (2008) make strong cases for the novel’s continuing ability to complicate and illuminate contemporaneity. Written in the midst of the long and disastrous United States incursions in the Middle East, DeLillo and Negarestani raise important political questions about the ecological realities of the War on Terror. Each novel acknowledges that though the catastrophic present cannot be divorced from the inevitable doom at the end of the world, we still desperately need to imagine something else.
In the fourth issue of the new journal, C21: Journal of 21st-Century Writings, Mark West has written a nicely positive review of David Foster Wallace and “The Long Thing”: New Essays on the Novels (2014), edited by Marshall Boswell, in which I have an essay, “‘Then Out of the Rubble’: David Foster Wallace’s Early Fiction.” West also reviews Gesturing Towards Reality: David Foster Wallace and Philosophy (2014), edited by Robert K. Bolger and Scott Korb (somewhat less positively).
I just published “An Interview with Jonathan Arac” in the most recent issue of boundary 2. I am honored to have had the chance to interview Arac, who has been such a important mentor to me in so many ways. An even further honor is having the interview appear in an issue with work by Tom Eyers, David Golumbia, McKenzie Wark, and others, along with Bruce Robbins’s interview of Orhan Pamuk and Jeffrey J. Williams’s interview of Wai Chee Dimock. What a fantastic issue.